Vocalist Sylvia Brooks likes to provide her music a noir patina, that smoky and dark evening tone preferred by the likes of the fictional hard men: Sam Spade, Philip Marlowe, and Jeff Markham. On her third recording, The Arrangement, this patina is given a high buff shine into something more contemporary, without losing any of the inherent sexiness of the music and its delivery. The Arrangement is a delicious double entendre on the word “arrangement,” juxtaposing the darker side of love with a play on “arrangement,” here meaning the musical arrangement of the 14 selections contained herein. Miles Davis had made much of the importance of musical arrangement on his famous 1949 Nonet sides, showcasing the arrangements by Gerry Mulligan, John Lewis, Gil Evans, and John Carisi. Brooks looks back at this music, bringing the art of arrangement forward, her arrangers retaining an emphasis on soft soundscapes and counterpoint.
What makes Swing Jazz unlike any other genre?
Introduction to Swing Jazz Swing Jazz first emerged in the 1930s in America to change the musical and culture of it. Due to its fast tempos, accentuated rhythmic displacement, and massive orchestras, it turned into the soul of parties, unifying people on the dance...
